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So this part of the story turned out to be a lie (like many others that will follow later).

And due to newest reliable information she and her orchester are unknown in diveevo. It was registered to adina spire on her adress in the russian village dive(j)evo near nischni nowgorod.Īdina often told that she lives there with her orchester giving performences (the financial basis for her family and orchester – around 40 – 60 people (that varied in her narrative) ) and doing her recordings in HQ-quality there.īut the address doesnt exist according to google maps – and diveevo turned out as a small village with a pilgrimage-church not having any structure like a concerthall. Specialists are investigating all recordings currently to find the originators and to collect the information needed for a prosecution in that case.Įarlier recordings (2008 – 2011) of her own compositions might(!) be authentic – but as so many lies have been unmasked in the last weeks that must be doubted also.įirst i started with checking who registered her different websites. Since years Adina published and sold a lot of recordings (mayor works of Bach, Beethoven, Dvorak, Mozart and many others) under her name (and that of her „daughter“ Sara) – around 30 to 40 – which turned out as being the stolen work of other artists a few weeks ago – manipulated a bit to make it harder to detect and then made available at Magnatune and Amazon (among others) to take illegitimate royalties. This website serves to gather information about Adina Spire, Sara Spire, Adriana Spire and the Bezdin Ensemble – even if i am at the point now that i doubt that any of them ever existed in reality.Īdina Spire seems to be the alias of someone – and the Bezdin ensemble, the daughter Sara and the sister Adriana – everyone related to that story – a fiction, the pictures and recordings (mainly) a fraud. So I started to search for vestiges from Adina.Īnd this was the beginning of a story that became more and more confusing, implausible and unbelieveable the longer i searched. Only a few conservative-catholic blogs still presented her (unverified) life-story (obviously the last traces of adinas previous self-promotion) Very uncommon for a conductor and an orchestra with such a rich oevre.

There was not much substantial that remained in the web after the disappearance of her own websites. Her different websites as well as her facebook account – the mailadress i used to communicate with her and also the accounts of her family-members – her daughter sara (a young talented pianist) and her sister adriana. One day as i looked on her sites to see if she has published any new recordings, i had to realise that she deleted her complete online-presence. Ī while ago she informed me about financial problems caused by the fraud of a swiss partner and in the following months our contact became less frequent than before. She talked about her (tragic) biography as well as about her artistic and private life at diveevo (near nischny novgorod) and about her future plans. Naturally knowing a lot about classic music.

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I got the possibility to download her recordings and many of them became an integral part of my collection of classic music.Īdina seemed to be likeable and intelligent, speaking a couple of languages and interested in many aspects of life.

I took notice of “Adina” a couple of years ago. We befriended online and talked about her artistic work – her compositions as well as her role as conductor of the bezdin-ensemble.

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